Sunday, 24 August 2025

Rebel without a cause (1955)

We saw this as an afternoon screening at my favourite cinema, the Gardent Cinema.

Just like the poster highlights, the strong red colour of Jim Stark's jacket makes it iconic, and it's the one thing I associate with the film more than any other visual element.  I was suprised to see the colour mirrored in Judy's coat and the very grown-up red lipstick she wears at the police station - because she was picked up for walking the streets at an unsocial hour (I couldn't tell if they took her to the police station because they thought she might be a working girl, or if they realised how young she was and that she should be home safe with her family). 


There is also the single red sock that Plato wears, together with the mismatched blue sock. And I think the toy lying in the street is also red - we first see Jim lying down next to it when he is drunk and fooling around with it: spreading a bit of material over it as if he was putting a child to bed.  Then he must have gotten arrested because he also ends up at the police station, just like Judy and Plato have (Plato's real name is John, so this makes an alliteration of the three main characters).

I was quite shocked to find that Plato was there because he shot puppies, that seems to hint at mental instability and a not very nice nature - while later in the story, Plato comes off as a nice young kid who was unfairly abandoned by his parents.

Everyone seems to have daddy issues in this film. Jim because his father is just a sap, Plato because his abandoned him and only sends a check for 'support of son' instead of being there for him, and Judy has big issues with her father because she seems to believe that he doesn't love her.  She does however try to kiss him on the lips which I found very odd.  He strenuously objects to that, almost too much.  Is she a little girl who doesn't want to grow up but remain Daddy's girl and is now upset that he won't pay her as much attention as he pays her little brother?  Or is she growing up and trying to find her way in how to interact with the male gender and attempts to practice on her dad?  I am very interested to hear what others think of this.

This article describes a lot of plot and even includes big chunks of dialogue. 

Plato had been trying to make Jim his substitute father (despite their scant difference in age), and the three played at being a family in the abandoned mansion.  At the end of the film, Jim and Judy feel a lot like Plato's parents - the ones he should have had and didn't get.

I remembered very little from when I first saw this film on TV decades ago, but what I liked back then and also now is that Jim and Judy are growing up and end the film more mature. You can glimpse the adults that they might become.  Poor Plato will not.

 

This article talk about the symbolism of some items and colours.  This one is one of the most interesting articles I came across, also talking about colours but also about relationships of power, very interesting indeed. I don't know if I picked up on the high and low camera angles used, let alone over the shoulder shots in the police station.

 

Let me know what impressons you took away with you about the film. 

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